The Avett Brothers – Oct. 16, 17, and 18 – Louisville, KY
The Avett Brothers
Live in Concert
Thursday, Oct. 16th – TICKETS AVAILABLE
Friday, Oct. 17th – SOLD OUT
Saturday, Oct. 18th – TICKETS AVAILABLE
The Louisville Palace Theatre
Presented by NS2
If you put your ear to the street, you can hear the rumble of the world in motion; people going to and from work, to school, to the grocery store. You may even hear the whisper of their living rooms, their conversation, their complaints, and if you’re lucky, their laughter. If you’re almost anywhere in America , you’ll hear something different, something special, something you recognize but haven’t heard in a long time. It is the sound of a real celebration.
It is not New Year’s, and it is not a political convention. It is neither a prime time game-show, nor a music video countdown, bloated with fame and sponsorship. What you are hearing is the love for a music. It is the unbridled outcry of support for a song that sings to the heart, that dances with the soul. The jubilation is in the theaters, the bars, the music clubs, the festivals. The love is for a band.
The songs are honest: just chords with real voices singing real melodies. But, the heart and the energy with which they are sung, is really why people are talking, and why so many sing along.
They are a reality in a world of entertainment built with smoke and mirrors, and when they play, the common man can break the mirrors and blow the smoke away, so that all that’s left behind is the unwavering beauty of the songs. That’s the commotion, that’s the celebration, and wherever The Avett Brothers are tonight, that’s what you’ll find.
The Avett Brothers‘ music has roots in traditional folk and bluegrass, but also captures the high spirits and no-boundaries attitude of rock & roll — which is appropriate, since rock is where Scott Avett and Seth Avett first cut their teeth as musicians. Although siblings Scott (vocals, banjo) and Seth (vocals, guitar) began making music together as children, their group’s genesis began when they were members of Nemo, a rock band that gigged regularly in Greenville, North Carolina. Looking for another outlet for their musical ideas, the Avetts began getting together with like-minded friends (most notably Nemo guitarist John Twomey) on Tuesdays for acoustic guitar pulls, where they’d share a few drinks and swap songs. As time passed, the weekly get-together (which was called “the Back Door Project” or “Nemo Downstairs”) became a semi-public event, with the pickers busking for the enjoyment of passers-by, and Seth and Scott decided the new acoustic music they were making was as fun and satisfying as their rock band.
Twomey and the Avetts decided to document their side project in 2000, and “the Back Door Project” was renamed The Avett Brothers with the release of a self-titled album that same year. Nemo broke up before 2000 came to a close, and Seth and Scott decided to make The Avett Brothers their new priority. They amicably parted ways with Twomey and added upright bassist and vocalist Bob Crawford to the combo. After a few months of playing live shows, the new trio recorded its second album, 2002’s Country Was. The Avett Brothers hit the road upon the album’s release that summer, and used the opportunity to break in material for their next studio project, A Carolina Jubilee, which was released in 2003. (A live disc, Live at the Double Door Inn, was sandwiched between the two studio sets.)
Over the next several years, The Avett Brothers maintained a busy and prolific schedule. They released a lengthy and ambitious studio album, Mignonette, in 2004, another live disc in 2005, and both a full-length album (Four Thieves Gone: The Robinsville Sessions) and an EP (The Gleam) in 2006, all recorded during breaks in the group’s heavy touring calendar. As if this weren’t enough to keep the three men occupied, Crawford also recorded and performed with his side project New Jersey Transient, Seth Avett released albums under the moniker Darling, and Seth and Scott occasionally played shows with their electric band Oh What a Nightmare. In 2007, The Avett Brothers reached a new level of popularity with Emotionalism, their first album to make a dent on the Billboard charts. Rick Rubin took notice and signed the band to American Recordings, his own division of Sony BMG/Columbia, during the following summer.
The Gleam II, issued just several months later, was The Avett Brothers‘ last release on the Ramseur label, while 2009’s I and Love and You served as their major-label debut. The album peaked at number 16, by far the band’s highest chart placement to date, and the international tour that followed was partially documented on the 2010 concert album Live, Vol. 3. In 2011 The Avett Brothers received an invitation to perform alongside Bob Dylan and Mumford & Sons at the Grammy Awards, and in 2012 they released The Carpenter, their second studio album under the tutelage of Rubin. The Carpenter was greeted with good reviews and debuted at number four on the Billboard Top 200 on its way to a Grammy nomination for Best Americana Album. In 2013, The Avett Brothers released Magpie and the Dandelion, which consisted of material recorded with Rubin during the sessions for The Carpenter.
BELOW: Crowd Albums of Previous NS2-Produced shows with The Avett Brothers