Steve Earle – Live in Concert

Steve Earle & The Dukes – Live in Concert


With Special Guests The Mastersons
Thursday, July 13, 2017

Charleston Music Hall
Charleston, SC


With Special Guests The Mastersons
Friday, July 14, 2017
Carolina Theatre – Durham
Durham, NC


With Special Guests Lucero
Friday, July 21, 2017

Ryman Auditorium
Nashville, TN




ABOUT STEVE EARLE

Three-time Grammy Award recipient and 11-time Grammy nominee Steve Earle is a cornerstone artist of Americana music. One of the most acclaimed singer-songwriters of his generation, he has released twenty albums – a number of them were as Steve Earle and the Dukes, one was Colvin and Earle, another was Steve Earle and the Del McCoury Band, etc. Earle’s songs have been recorded by such music legends as Johnny Cash, Emmylou Harris, Carl Perkins, Waylon Jennings, Vince Gill and Joan Baez. He has created such country successes as “When You Fall in Love,” “Guitar Town,” “Goodbye’s All We’ve Got Left,” “A Far Cry From You” and “Nowhere Road.” During his four-decade career, Earle has also become a novelist, a film, TV and stage actor, a playwright, a short story author, a record producer and a radio host. He is a longtime activist whose causes have included the abolition of the death penalty and the removal of the confederate flag. Always musically adventurous, Steve Earle has crafted folk, blues, rock, country, rockabilly and bluegrass recordings. His diverse collaborators on disc have included such notables as The Pogues, Lucinda Williams, Patti Smith, The Fairfield Four, The Indigo Girls, Chris Hillman, Sheryl Crow and Shawn Colvin. His new Warner Bros. Records album, So You Wannabe an Outlaw, explores his country songwriting roots and includes collaborations with Willie Nelson, Johnny Bush and Miranda Lambert.




STEVE EARLE – SO YOU WANNABE AN OUTLAW

If you ever had any doubt about where Steve Earle’s musical roots are planted, his new collection, So You Wannabe an Outlaw, makes it perfectly plain.  “There’s nothing ‘retro’ about this record,” he states, “I’m just acknowledging where I’m coming from.”  So You Wannabe an Outlaw is the first recording he has made in Austin, Texas.  Earle has lived in New York City for the past decade but he acknowledges, “Look, I’m always gonna be a Texan, no matter what I do. And I’m always going to be somebody who learned their craft in Nashville. It’s who I am.”

In the 1970s, artists such as Waylon Jennings, Willie Nelson, Johnny Paycheck, Billy Joe Shaver and Tompall Glaser gave country music a rock edge, some raw grit and a rebel attitude. People called what these artists created “outlaw music.” The results were country’s first Platinum-certified records, exciting and fresh stylistic breakthroughs and the attraction of a vast new youth audience to a genre that had previously been by and for adults. In the eighties, The Highwaymen was formed by Johnny Cash, Willie Nelson, Kris Kristofferson and Waylon Jennings. Their final album “The Road Goes On Forever” released in 1996 began with the Steve Earle song “The Devil’s Right Hand.”

Steve Earle’s 2017 collection, So You Wannabe an Outlaw, is an homage to outlaw music. “I was out to unapologetically ‘channel’ Waylon as best as I could.” says Earle. “This record was all about me on the back pick-up of a Fender Telecaster on an entire record for the first time in my life.  The singing part of it is a little different. I certainly don’t sound like Waylon Jennings.”

“I moved to Nashville in November of 1974, and right after that Willie Nelson’s Red Headed Stranger came out. I was around when Waylon was recording [the 1975 masterpiece] Dreaming My Dreams.  Guitar Town (Earle’s 1986 breakthrough album) wound up being kind of my version of those types of songs,” Earle recalls.

“This new record started because T Bone Burnett called me and wanted a specific song to be written for the first season of (the TV series) Nashville. It was for the character whose brother was in prison. So I wrote ‘If Mama Coulda Seen Me,’ and they used it. Then Buddy Miller asked me to write another one for the show and I wrote ‘Lookin’ for a Woman,’ which they didn’t wind up using. I’d been listening to Waylon’s Honky Tonk Heroes again, and I decided to start writing in that direction.”

The new songs include the gentle, acoustic folk ballads “News From Colorado” and “The Girl on the Mountain.” “Fixin’ to Die,” on the other hand, is a dark shout from the hell of Death Row. “The Firebreak Line” returns Earle to his pile-driving, country-rock roots. “You Broke My Heart” is a sweet, simple salute to the 1950s sounds of Webb Pierce or Carl Smith.  “Walkin’ in L.A.” is a twanging country shuffle. The guitar-heavy “Sunset Highway” is an instant-classic escape song. And the deeply touching “Goodbye Michelangelo” is Steve Earle’s farewell to his mentor, Guy Clark, who passed away last year. It was written right after me and Rodney Crowell and Shawn Camp and a few other folks had taken Guy’s ashes to Terry Allen’s house in New Mexico,” Earle says. “I was only 19 when I came to Nashville. Guy and Susanna Clark finished raising me. Guy was a great cheerleader for me.”

Earle is backed on the new album by his long time band The Dukes (guitarist Chris Masterson, fiddle player Eleanor Whitmore, bassist Kelly Looney, and new members drummer Brad Pemberton and pedal steel player Ricky Ray Jackson). “We did the Guitar Town 30th-anniversary tour last year,” he said. “And that was perfect to write the last of the songs for this record. Because I had the band out there with me, and we could try out some stuff.”

“Waylon’s Honky Tonk Heroes was the template for the new album. And I’ve always considered that record to be really important. I consider his Honky Tonk Heroes the Exile on Main Street of country music.”

“I knew when I wrote ‘Walkin’ in L.A.’ that I wanted Johnny Bush to sing on it.  I’ve known Johnny since 1973 when I was playing a restaurant in San Antonio. Joe Voorhees, who played piano for Bush, and I were stoned and hungry, so we went to Bush’s and raided the icebox in his kitchen. We’re sitting there, and Joe goes white and says, ‘John!’ I turned around and there was a .357 Magnum pointed at the back of my head. So that’s how I really met Johnny Bush. Years later, he signed an autograph to me that said, ‘Steve, I’m glad I didn’t pull the trigger.’”

Steve Earle’s third duet partner on So You Wannabe an Outlaw is Miranda Lambert. The two co-wrote their vocal collaboration “This Is How it Ends.” “I learned from Guy Clark that co-writing might lead me to write some stuff that I wouldn’t write otherwise,” comments Earle. “The song is Miranda’s title, and some of the very best lines in it are hers.”

So You Want To Be An Outlaw is dedicated to Jennings, who died in 2002. The deluxe CD and the vinyl version of the album include Earle’s remakes of the timeless Waylon Jennings anthem “Are You Sure Hank Done It This Way,” as well as Billy Joe Shaver’s “Ain’t No God in Mexico,” which Jennings popularized as well as Earle’s versions of “Sister’s Coming Home” and “The Local Memory,” songs that first appeared on Willie Nelson discs. Nelson is his duet partner on the new album’s title track.

Steve Earle has turned many musical corners during his illustrious career. He has been equally acclaimed as a folk troubadour, a rockabilly raver, a contemplative bluesman, a honky-tonk rounder, a snarling rocker and even a bluegrass practitioner. This definitive Americana artist has won three Grammy Awards, for 2005’s The Revolution Starts Now, 2008’s Washington Square Serenade and 2010’s Townes. 

He is also the author of the 2011 short-story collection Doghouse Roses and novel I’ll Never Get Out of This World Alive. Earle has been featured as an actor in two HBO series, The Wire and Treme, and on stage in The Exonerated. His film work includes roles in such respected features as The World Made Straight (2015), Leaves of Grass (2009) and Dixieland (2015). For the past decade he has hosted the weekly show Hardcore Troubadour for the Outlaw Country Channel on SiriusXM Radio and he is a longtime social and political activist whose causes have included the abolition of the death penalty and the removal of the Confederate symbol from the Mississippi State flag.

Earle has collaborated on recordings with such superb talents as Sheryl Crow, The Indigo Girls, The Pogues, Lucinda Williams Shawn Colvin, Patti Smith, Chris Hillman, The Fairfield Four and The Del McCoury Band. His songs have been used in more than fifty films and have been recorded by such legends as Johnny Cash, Emmylou Harris, and Joan Baez, Carl Perkins, Vince Gill and Waylon Jennings (who recorded Earle’s “The Devil’s Right Hand” twice).

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Lucero

You could say we were one of the lucky ones, starting this band in April of ’98 without a clue as to what we were doing. We were getting tired of the steady punk rock and metal diet and we wanted to try our hand at country songs, or do our best Tom Waits/Pogues impersonation.

The trick there was that we couldn’t really play our instruments! I had never played guitar before and Ben Nichols (lead singer, guitar) had only played bass in other bands. Finding Roy Berry (drummer) and John C. Stubblefield (bassist) solidified the line up and being hidden away in Memphis allowed us to woodshed, experiment with different sounds and create one that was ours alone.

Eventually we got out of town, and playing 250 shows year not only made us tight as a band but as a family as well. We are still one of the few bands out there with the original line up from almost the beginning, and it shows.

Picking up Rick Steff on keys allowed us to expand the sound and grow musically. Being able to play whatever we could think up in our heads and having the music we loved and grew up on motivate and inspire us to try new things and take chances. We realized that if you added some horns to Ben’s lyrics that it took it to the next step, from sad bastard country rock to soul and R&B and we realized we were a Memphis band and came by it honest. We have always brought Memphis with us wherever we went and this just proved it.

We came out screaming on 1372 Overton Park. Big sound, bigger horns – like a kid with a new toy we put them on everything and loved it! This record was a marked departure from the previous sound and announcement of way things we’re gonna be now!

While 1372 Overton Park was written and the horns added after the fact, Women & Work was written with the horns in mind so it was a little less gung ho and was starting to settle in nicely. Women & Work is one of the best modern Southern rock records in my opinion and the song “On My Way Downtown” has almost surpassed “Tears Don’t Matter Much” as the crowd favorite… almost!

This brings us to the new record. All A Man Should Do contains some of the most resonant lyrics Ben Nichols has ever written, lyrics that read like chapters from his life on the duality of relationships, getting older, finding where you want to be in this world, and musically we are broadening our sound. Working with producer Ted Hutt for a third time at the famous Ardent Studios, we felt comfortable enough to take some chances with a palette of new tones that sound understated yet powerful, bringing life to the stories behind the lyrics without overshadowing them.

It’s also the first time we’ve ever put a cover song on a record, with a full band version of big star’s “I Fell in Love with a Girl”, and having Jody from Big Star sing back-up vocals makes it that more special and amazing. This is a Memphis record in the greatest sense and a perfect finish to the three-part love letter to a city that brought us up and made us what we are today.

“I was 15 years old in 1989. This record sounds like the record I wanted to make when I was 15. It just took 25 years of mistakes to get it done.” – Ben Nichols

“Having Big Star actually sing on your cover of a Big Star song that you’re recording at Ardent Studios – it doesn’t get much more exciting than that.” – Ben Nichols

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