Noah Gundersen – Nashville, TN – October 26, 2017

Noah Gunderson -Nashville-102617

Noah Gundersen
With Special Guests Silver Torches

Thursday, October 26, 2017
Cannery Ballroom
Nashville, TN

Tickets On Sale Now:
Tickets available at MercyLounge.com, and by phone at 866-777-8932.

Ticket Prices:
In Advance: $17.50
Day of Show: $20.00
(plus applicable fees and/or taxes)

Doors: 7:00pm
Show: 8:00pm

Presented by NS2




Noah Gundersen

For Noah Gundersen, the past few years have brought about immense growth and change, both as an artist and as a young man grappling with issues of identity and independence.
It should come as little surprise, then, that his stunning new album, Carry The Ghost, is so heavily influenced by existential philosophy. What’s so striking, though, is hearing a 25-year-old articulate such weighty themes, packaging them into heartbreakingly gorgeous melodies with a plainspoken language that cuts to the quick upon first listen. Then again, Noah Gundersen has never aimed for ordinary.

With Carry The Ghost, Gundersen once again looked inward to find inspiration. “This album grew out of a desire to know myself, to know how I was supposed to live,” he explains. “And in that process, I realized that maybe there is no ‘supposed to be.’ The concept of Carry The Ghost is that we’re made by our experiences and to accept that instead of fighting it. The last several years have been a process of accepting things as they are and to not see them as so black and white or right or wrong, to accept that we’re not made to be a certain way, but that we are involved in an ongoing process of becoming.”

Produced by Gundersen and mixed by Phil Ek (Father John Misty, Band Of Horses), Carry The Ghost was recorded at Seattle’s Litho Studio and explores issues of self-discovery and existentialism with an erudite sophistication across 13 magnificent tracks. Collaborating more than ever before with his touring band—which includes his sister Abby and brother Jonathan—Gundersen set out to push boundaries and confound expectations, experimenting with tone and structure and creating rich sonic textures that ebb and flow beneath his stirring, solemn voice.

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Silver Torches

Erik Walters of Silver Torches has grown up.

Often when we say this of an artist, it speaks to big leaps and enormous changes. Huge pushes forward in style and a radically new sound.

But that’s not how growing up works. Growing up is a slow, hard-won road. It is set backs and tiny steps. It is a slow waking up to yourself and the world around you.

On his debut album, Heatherfield, Walters grappled with the reality of new adulthood – relationships, finding his purpose. It was nostalgic for the easy days of youth, it was optimistic for what was coming.

But in the interim years, Walters has changed, as we all inevitably do. The space between the early twenties and the late twenties is a riotous one, and with his new album, Let It Be a Dream, he comes back to the studio with more nuance, but fewer answers.

Recorded at Studio X, Hall of Justice, and the home of the producer, Andy Park, Let It Dream dives deeper into the fears we have as we near the apex of young adulthood – the fear that we’ve been left behind. The realization that we’re not the center of the universe. As Walters sings, with vocal luminary Courtney Marie Andrews, on “At the Lantern”:

I’m getting older every day
Still waiting for the sea to change
For a chance to make things better
Chasing that elusive dream
I had when I was seventeen
When my future was unfettered

But not all darkness is despair. As the grip of nostalgia loosens, as heartache clarifies into the fear underneath it, Let It Be a Dream shifts to allow beams of light in after everything has collapsed. But they aren’t bright like a sunrise. They are shifting – the relief that comes when you’ve realized a hard truth. Greg Leisz’s pedal steel sifts through the rubble on “I Can’t Lie”, a track that breathes life into one of the few Americana centered songs.

Hurts me just to think
That you had your reasons
And I thought I had mine
If I ask you forgiveness
Would that be a crime?

Breaking away from the standard singer-songwriter fare, Walters adds synths to tracks like “If I Reach”, ripped out of a John Hughes fever dream. It is an exploration not into a style of music, but into a tapestry of the second coming-of-age, the period that teen movies ignore and rom-coms brush over. The period when you descend into the depths of yourself to find something other than comfort – to find yourself.

Let It Be a Dream is that torn map to the center of growing up, full of folded corners and wandering, rife with questions, and, just like all of us, waiting to be pieced together.

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