Josh Ritter & The Royal City Band – Nashville, TN – Friday, February 16, 2018

Josh Ritter & The Royal City Band - Nashville, TN - Friday, February 16, 2018

Josh Ritter & The Royal City Band

Friday, February 16, 2018
Ryman Auditorium
Nashville, TN

Tickets On Sale Now:
Tickets available at Ticketmaster.com, or by phone at 800-745-3000, Ryman.com, and at the Ryman Box Office.

Ticket Prices:
$35.00
(plus applicable fees and /or taxes)

Doors: 7:00pm
Show: 8:00pm

Presented by NS2


Josh Ritter & The Royal City Band

Gathering – the new album out 22nd September!

Every ticket comes with a digital download of the new album delivered on release day.

“How refreshing and inspiring it is to encounter an artist whose achievements match his ambitions.”  – The Washington Post

“The 10 Most Exciting Artists Now” – Entertainment Weekly

“100 Best Living Songwriters”  – Paste Magazine

Josh Ritter’s acclaimed 20-year career as a songwriter and musician reaches new heights with the release of his ninth full-length album, Gathering.  Along with his loyal bandmates, the Royal City Band, Josh returned to the studio with more songs than he’d ever had before at one time.  Re-energized after a recent collaboration with legendary musician Bob Weir (who also contributes vocals and guitar to a song on Gathering) and — at the same time — tired of living in the shadow of his earlier self, Josh felt charged with exploring the possibility of cutting himself loose from his own and others’ expectations. In his words, “I began with an exciting sense of dissatisfaction, and what emerged, as I began to find my voice, was a record full of storms. I still can’t tell what era these stories are from. They feel part roustabout, part psalm to me.”

A songwriter, a musician, a New York Times best-selling author, a painter, a consummate performer. Josh Ritter encompasses all of these descriptors and more. He is a true artist. One who is not afraid of growing, changing and constantly challenging earlier versions of himself. Here, two decades into his storied career, Josh Ritter is just getting started.

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Mandolin Orange Blindfaller

Lean in to Mandolin Orange’s new album, Blindfaller, and it’s bound to happen. You’ll suddenly pick up on the power and devastation lurking in its quietude, the doom hiding beneath its unvarnished beauty. You’ll hear the way it magnifies the intimacy at the heart of the North Carolina duo’s music, as if they created their own musical language as they recorded it.

Released September 2016 on Yep Roc Records, Blindfaller builds on the acclaim of Mandolin Orange’s breakthrough debut on the label, 2013’s This Side of Jordan, and its follow-­up, last year’s Such Jubilee. Since then they’ve steadily picked up speed and fans they’ve earned from long stretches on the road, including appearances at Newport Folk Festival, Austin City Limits Fest, and Telluride Bluegrass. It’s been an auspicious journey for a pair who casually met at a bluegrass jam session in 2009.

“When we finished Such Jubilee, I started writing these songs with a different goal in mind. I thought about how I would write songs for somebody else to record,” Marlin explains. “I ended up with a bunch of songs like that, but we chose ones that I still felt personally connected to.”

Holed up at the Rubber Room studio in Chapel Hill, N.C., with a full band this time around, they laid down the tracks in a week between touring. They’ve always been keen on the notion that drawn-­out recording sessions don’t necessarily yield better results. A good song, and just one good take, will always shine through any studio sorcery.

The passage of time, and the regret that often accompanies it, courses through these songs. “When did all the good times turn to hard lines on my face/ And lead me so far from my place right by your side?” Marlin ruminates on “My Blinded Heart.”

In fact, there’s heartache by the numbers on Blindfaller. If you didn’t know better, you’d swear “Picking Up Pieces” is a tearjerker George Jones or Willie Nelson sang back in the early 1970s. It’s a Mandolin Orange original, of course, and also a poignant reminder of the economy and grace with which Marlin imbues his songs – say what’s important and scrap the rest.

A country dirge with soulful washes of pedal steel and mandolin, “Wildfire” details the lingering, present-­day devastation of slavery and the Civil War, with Marlin’s voice locking into close harmonies with Frantz on the chorus. “Take This Heart of Gold” opens with perhaps the best classic-­country line you’ll hear all year: “Take this heart of gold and melt it down.” (Marlin admits it was inspired by a Tom Waits lyric he misheard). ‘

But there’s also room for detours. Straight out of a honky tonk, “Hard Travelin’” lets the band shift into overdrive. A freewheeling ode to life on the road, it had been kicking around for a while but never fit on previous releases.

As for the album title, it’s meant to evoke a sense of wonder, of contemplation. A “faller” is someone who fells trees, and in this case that person is blind to his/her own actions and those of the world. The spectral cover photo, by Scott McCormick, is open to interpretation, too: Either those trees are engulfed in flames or sunlight is pouring through them. It’s up to you.

“We wanted different vibes and different intuitions on these tracks,” Marlin says, “and I feel like we really captured that.”

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